Carlo Buccirosso memedeportes Comedy, Ratings: Kids + 13, 115 min duration. - Italy in 2015. - Warn

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Carlo Buccirosso memedeportes Comedy, Ratings: Kids + 13, 115 min duration. - Italy in 2015. - Warner Bros Italian exit Thursday February 19, 2015. Mymo NE T RO We and Giulia average rating: 3.17 out of 40 reviews of the critics, the public and dictionaries.
Paola Casella
Diego a car salesman no longer the ability memedeportes to costernarsi, Claudio former memedeportes manager memedeportes of a deli that has closed its doors, Fausto a television salesman chased by creditors. They share the dream to change his life and an identical plan B: open a farm - the version memedeportes of the forties chiringuito the tropics. The three join forces to complete the purchase of the property right but must now face thousands of practical problems, a bathroom clogged the local Camorra who demand protection money. In their adventure will be involved also Sergio, a veterocomunista memedeportes firm to '68, and Elisa, pregnant and freaked out. Based on the novel "Giulia 1300 and other miracles" Fabio Bartolomei, Edoardo Leo continues memedeportes his career as a director-writer (and interpreter) and especially singer of our times insecure and disillusioned. About a day'll want to remember this time will have to confront his filmography, both behind the camera than in front. This time the story less focus of The move Penguin and less amusing to stop when I want (to remember two of the recent movies that are involved and the success of which means repeat). We and Giulia effort to acquire his comic timing, also because of a cast that works individually but not in chorus: Leo centered in the role of forced fascistone, Anna Foglietta effective in the role (insufficient to cover the belly) of unbolted kindhearted and Luca Argentero finally recovers his Turin accent, which makes it out of the trap of the aseptic condition of so many of his previous interpretations. But fails, to the viewer, teamwork, that alchemy made of improvisations and non sequitur that go always to enrich the genre of Italian comedy, particularly the Big Deal, in which a small group of losers join forces to make the shot of the century, and instead gets into trouble. To paraphrase a line from the film, to Us and Giulia lack the right weapons to break through: jokes vitriolic, fast interactions between actors too different to work in unison, plot twists delusional. And it's a shame, because it is the path of authorial Leo deserves great attention, both because the right note of the story is touched in a scene, but only one: the one in which the group members do outing declaring themselves bankrupt, and recovering the right to claim bankruptcy as something to be ashamed of, but which on the contrary build. Also directed by Leo makes progress, risking camera angles original games, overlapping and slow motion. But, perhaps because of the strong conditioning productive that the IIF Fulvio Lucisano imposes on its products, Leo privileges the narrative machine, showing too openly gears, the choice of moments that alone tell a story. And cinema feeds on those moments of revelation, of which Leo perfectly capable, if left unbridled.
FILM EXTREMELY INTERESTING AND PLEASANT. NEXT TO NICE DESCRIPTION